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The Glamouret‘tes, Carol Russ, Jean Tibando, Heather Hughes, Molly Pitman, Susan Elford and Donna Forsythe, danced next, and received an ovation for their guy number. as they tap- ped and twirled in costumes of yellow satin and black, with nylon frou-frou trim; their hair sprinkled with glimmering jet. All the gorgeous rainbow col-; ' All the gorgeous rainbow col- One of the stars of the night, ours. and the most eye-catching Richmond Hill’s own little rose, materials, were incorporated in- Darlene Harcourt, as a smiling to the costumes of the Dennis Indian maiden -- in a pale blue Moore dancers. This year, Mr. satin, bead-trimmed costume Moore not only used many of -â€" really pow-«vowed her captiv- his own original, and highly ated audience. And, when Darâ€" pleasing designs. but he also lene appeared later. in her very used a selection of designs from first dance number, ‘Toyland," “Fina” of New York and Chi- dancing like a vibrant bit of cago. This well-known company white and silver gossamer on were supplied by Mr. Moore the huge floodlit stage, those with a description of several who already call her “Darling different dances in the show, Darlene" realized - here is tal- and they created suitable ent, unfolding like a budding sketches for costume designs. rose into something wonderful - Materials used all came from because what Darlene has is so 'Johnnie Brown' and dressmak- real, and so unaffected in its ers were Mrs. Nora Pelley, Mrs. winning charm. Richard, and, as Dennis Moore; There were so many "stars" acknowledged on stage. duringlthroughout the evening, that his usual “Word of Thanks", one must applaud all who ap. "our talented mothers, who did peared for excellent perform- : wonderful job." fances. However special mention Donn, of D. Albert Brown must be made of individual ar- Coifi‘ures, Richmond Heighmitists. such as the Turner Twins, Centre, fashioned the lovelyICandace and ‘Blondie,’ who h-air arrangements (often chanâ€"i ging a dancer’s hair style com-grace of movement in beautiful pleteiy for successive numbers),unison. (We could not but re and was busy throughout the‘mark how much like a very evening behind the scenes â€"young Ginger Rogers. Candace except for a brief turn on stage,;seemed last Saturday night.) when Dennis Moore, and thegllad Themselves a Ball ludience. applauded Donn's‘i The Teddy Bears, Rosemary handiwork gGiannini, Jan Birnie, Dale Mc- But now, “Let’s get on with Neil, Laurel Anne Irvine, Patti the show" - - - EPeron, Debbie Field, Lorna Van Climbing To Fame Demark, Mary Lynn Sheehy, Those who have followed theSusan Barber, Dennis Moore School of Dane-[Cathy Pitman, Kim Katanik, dance with increasing, flowingi sandy uogmu, wenay uranam, Janice Green, Dale Snider and ouise Orr. Susan Elford fol- lowed, soloing in a rhythm tap, wearing cerise and black, sprin- kled with stardust. The Fairy Princess then brought along a cuddly group of “Waltzing Cats", Kathy Bur- gin, Diane Hutcheson, Peggy Lynn Morry, Elizabeth McKim. Diane Norman, Christine Saf- ruk, Karen Whlllans, Heather Wilson, Laurie Wilson, their grey ‘furr' higlighted by huge Ipink satin bows. And they came complete with “meows that brought happy laughter from their viewers. Tall blue ostrich feathers, and matching nylon and satin ballet costumes â€" agleam from, neck to hem with blue sequins â€" were worn by dancers Rox-' anne Newitt, Jane Coghill, Lin-I ,da Taylor, Louise Wilson and ’Donna Smith. for “The Birth Iof the Blues”; followed by a zbevy of “Little White Ducks". Here again Mr. Moore had a, new innovation, for instead of the traditional costume . . . ., which usually includes beaked headdresses these little; ducks - apparently just out of‘ the shell â€" wore tiny feather; ,caps, white velvet leotards, trimmed with feathery fluff . .' ‘and a ducky wiggle, that caused i Jane Donelly, Nancy Fawn, Corinne Gretz, Diane Mitchell, Nancy Toms, Wanda Wells and Barbara Wetton, changed the pace of the dance with a lovely scene, “Skater’s Waltz", for which the group appeared wear- ing blue satin skating costumes, edged with white angel puff. Next came "Chickens" Patti Peron, Jan Birnie, Susan Bar- ber, Lorna Van Demark, Laurel Anne Irvine, Dale McNeil, Rose- mary Giannini, Bonny Lynn Ku- cey, Kim Groulx, Karen Lee Robinson, Debbie Field, Shelley Field, Diane Downs, Barbara King, Sandra Creighton, Lee Ann Redfearn, Caroline Man- uge, Sylvia Manuge, Cindy Hunt, Felicia Buxton. Gail Rous- sell Debra Messervey, Jacquel- ine Whittaker, Cindy Kelly and Beverley Ann Morris, in yellow velvet and feather caps. The real twist here, was the "twist" ending by two little slick chicks, who received thunderous ap- plause, before running off into the wings of the stage. Ernest Van Tent solo-ed next, ‘in “For Me and My Gal", in a sequinned red dress suit and top hat. Incidentally Ernest's mother sewed 78 yards of se- quins, by hand, on his sensa- tional costume, which together with his dancing was superb. “Basin St. Blues" was a pleas- Beth Jordan,§much merriment and applauseliing soft shoe routine, with dan- The costumes worn by pistol-l cers, Bonnie Lou Jones, Nor- Donn. of D. Albert Brown Coifi‘ures, Richmond Heights Centre, fashioned the lovely hair arrangements (often chan- ging a dancer‘s hair style com- pletely for successive numbers) and was busy throughout the evening behind the scenes â€" except for a brief turn on stage. when Dennis Moore. and the Dance Recital “A Se“ Out" At Eaton Auditorium The opening beat of the scintillating, foot-tapping, sophisticated rhythm of the CBC All Stars orchestra, with Mrs. Irene Tait at the piano, gave the audience a fore taste of the fast-moving, high-stepping review ahead â€" and the show just “went on” from there with smooth, syncopated rhythm. “It’s Entertainment", the program said of the first number, which starred gold medallists, Penny Paxmenter, Betty Smith, Jane Fumerton, Gail Rurak, Carol Hannivan and Evelyn Turner â€" who wore brief chorine costumes of fire engine red and white satin, with tall, matching ostrich feathers atop their elabor- ate hairdoes. And these lively gals really got “the dance” underway . . . with 2. Zing! The sell-out audience came with expectation of good entertainment â€" and left, at the close of the three-hour show, in a happy, pleasure-filled mood; in- spired once again by the beauty, colour and charm of a Dennis Moore production, which they pronounced “His best yet!" By Mona Robertson 1,275 people filled the Eaton Auditorium to its swinging doors last Saturday night, for the third an- nual review of the Dennis Moore School of Dancing, “Let's Dante ’62”. Pupils of the Richmond Hill and Lakeshore Schools of Dancing participated. i200 People Enjoy Successful Dennis Moore “Let's Dance ‘62" Revue In perfect formation, Marlene Moss, Craig Goodman, Dzintra. Stepanovs, Steve Wall and Brandie Smith Beautifully costumed and danced in precision by (front row) Eddie Miller, Denise Harcourt, Pat Whitfield, John Turner, (back row) Betty Ann Lamont, San- dra Harris, Linda Burton, Candace Turner, and Mary Lenton. “I Got Rythm" "Stompin At The Savoy ing, during its sky-rocketing climb over the past three years, and who have enjoyed with in- creasing enthusiasm the past reviews â€" were very conscious of just “how much difference a year â€"- or two â€" or three" has made in the work done by Mr. Moore with these young wr- tists in the "Let's Dance" series. One of the stars of the night, Richmond Hill's own little rose, Darlene Harcourt. as a smiling Indian maiden â€"â€" in a pale blue satin, bead-trimmed cosiume â€"- really powawowed her captiv- _ated audience. _ And, when Dar- The Teddy Bears, Rosemary Giannini, Jan Birnie, Dale Mc- Neil, Laurel Anne Irvine, Patti Peron, Debbie Field. Lorna Van Demark, Mary Lynn Sheehy. neck to hem with blue sequins â€" were worn by dancers Rox- anne Newitt, Jane Coghill, Lin- da Taylor, Louise Wilson and Donna Smith, for “The Birth 9f the Blues"; followed by a The first item for “Santa’s Holiday", was a sweet little group of living dolls, who did a ballet number in powder-puff pink and tinsel; Diane Frater, Sandy Cog-hill, Wendy Graham, Janice Green, Dale Snider and Louise Orr. Susan Elford fol- lowed, soloing in a rhythm tap, wearing cerise and black, sprin- kled with stardust. u. "wanna ww , “um; u-uâ€" warn mm wmu: angel. pun. gin, Diane Hutcheson, Peggy Next came "Chickens" Patti Lynn Morry, Elizabeth McKim. Peron, Jan Birnie. Susan Bar- Diane Norman. Christine Saf- ber, Lorna Van Demark, Laurel ruk. Karen Whillans, Heather Anne Irvine, Dale McNeil, Rose- Wilson, Laurie Wilson, their way Giannini, Bonny Lynn Ku- grey ‘fur' higllghted by huge cey, Kim Groulx, Karen Lee pink satin bows. And they Robinson, Debbie Field, Shelley came complete with “meows Field, Diane Downs, Barbara that brought happy laughter King, Sandra Creighton, Lee from their viewers. Ann Redfeaz'n. Caroline Man- If there’s one thing Mr. Moore's audiences look forward to -â€" in the colossal reviews he stages â€" it is the element of surprise he always packs into his productions. There is no- thing hackneyed or convention- al in any of his shows, and “Let’s Dance ’62" lived up to expectations. And when "Santa" came on stage and took a holiday â€" seated in a gilded amm chair â€" Fairy Princess Sandra Smith used her magic star-tipped wand to wave on a delightful fairy tale. There were twenty-four short scenes in this part of the show, interpreted by a hundred dancers. And the audience of grownups and children express- ed their pleasure in this novel turn. The Fairy Princess then brought along a cuddly groupl of “Waltzing Cats", Kathy Bur- gln, Diane Hutcheson, Peggy TJrrn-I MAI-r" VHr-nknmk “Inv:m Santa in June? Yes, Dennis had him there in person. The most handsome, best dressed Santa we’ve seen yet (courtesy of John Turner, Richmond Hill, no less). V Diane Downs, Barbara King, Sandra Creighton, Sharon Vin- cent. Sylvia Manuge, Cindy Kelly, Beverley Ann Morris, Lori Eade, Gail Roussell and Big Bear Kent Irvine, really had themselves a regular teddy bears' picnic on stage . . . and the audience had themselves a ball, watching them perform! edged with white angel puff: ‘ Next came “Chickens” Pat-ti Peron, Jan Birnie, Susan Bar- ber, Lorna Van Demark, Laurel Anne Irvine, Dale McNeil, Rose- mary Giannini, Bonny Lynn Ku- cey, Kim Groulx, Karen Lee Robinson, Debbie Field, Shelley Field, Diane Downs, Barbara King, Sandra Creighton, Lee Ann Redfearn, Caroline Man- uge. Sylvia Manuge, Cindy Hunt, Felicia Buxton, Gail Rous- isell Debra Messervey, Jacquel- ine Whittaker, Cindy Kelly and Beverley Ann Morris, in yellow velvet and feather caps. The real‘ twist here, was the “twist” Iending by two little slick chicks, who received thunderous ap- lplause, before running off into ,the wings of the stage. 1 Ernest Van Tent soloâ€"ed next, lin “for Kile and My Gal", in a i 1 “Just One of Those 'Dhings," with Doreen and Valerie Eccles, Elizabeth Tucker, Carol Russ, Donna Forsy‘the, Jean ’l‘ibando, Gail Rurak, Carol Hannivan, Molly Pitman, Suzy Steed, Hea- ther Hughes, Eleanor Williams, Jennifer Smith, Deborah Smith, Susan Elford and Gerald Grey, brought the first portion of the review to a close, the band go- ing all out in supporting this tap group with a stirring fast beat. , Advance Pace The second part of the show ofl'ered more advanced dance routines, and the "Acroâ€"Egyp- =tiona" number starring Susan, Elford, Molly Pitman, Heather, 1Hughes, Carol Hannivan, Gaill Rurak, Deborah Smith, Carolj ’Russ and Jean Tibando illus-i ,‘trated acrobatic dancing precis-, Ernest Van Tent SOTOâ€"ed next, Russ yandw :Iieiaithihsndé illlis- in “For Me and My G ", in a trated acrobatic dancing preem- sequinned red dress suit andlely and artistically. top hat. Incidentally Ernest's Craig Shuttleworth, another mother sewed '78 yards of se- dancer who gets better yeair by quins, by hand, on his sensa- year, delighted his audience tional costume, which together with "Louise," wearing yellow with his dancing was superb. satin and black and white ac- “Basin St. Blues" was a pleas-'cessories. “The Surrey With The Fringe On Top,” was, an enjoyable tap routine done by Kim Bell, Mi- chele Smith,‘ Laura Blanchard, Noranne C‘orless, Pat Harring- ton, Lauri Palmer, Caroline Lismore, Diane Patterson, Carol Tremble, Brad Curtis, Robin Heider, Stewart Bellamy, Keith Doxsee and James Gardiner. Then came “Parisienne Bat- on”, very nicely done by French Maids, Carol Hannivan, Lynn Covert, Linda Wuin. Molly Pitman, Susan Steed, Joanne Wilson, Vicki Joy Roach, Susan Elford and Heather Hughes; followed by the dance, “By The Sea", by Gibson bathing girls, Diane Cook, Jane Monteith, Vanessa Olley, Lauri Palmer, Carol Partington and Nancy 1Wehrens. Then came “Toyland”, Dar- lene's ballet number, with her father accompanying her again at the piano as she danced. “Silvery Moon" followed, star- ring Valerie Crowe and Jillian White; this pretty duo tapped with rhythmic unison in white satin with tall blue sequin-cov- ered hats. All Types 0! Dancing packing cowboys Hugh Cutler, Peter Rauieri and Kenton Bell- amy, and cowgirls Sandra Bow- en, Nancy Fawn, Bonnie Lou Jones and Wanda Wells, in ‘Butbons and Bows". were (al- though in miniature) as good as any seen in Annie Get Your un. Ballet dancers Debbie Brook, Jane Donelly, Nancy Fawn, Corinne Gretz, Diane Mitchell, Nancy Toms, Wanda Wells and Barbara Wetton, changed the pace of the dance with a lovely scene, “Skater’s Waltz", for which the group appeared wear- ing blue satin skating costumes, edged with whit_e angel pufi. ‘For It Was Mary’ danced in smartly styled costumes by ‘The Tapperettes’ “Satin Takes A Holiday" featuring lovely Eleanor Williams. lRussW'and Jean Tibando illus- The “Hi-Steppers", Claudette With talented style; followed by 1tl'ated acrobatic dancing precis- Jaiko, Jacqueline Shewell, Judy the Turner TWiIlS. “Ballin’ the ‘er and artistically. Palmer. Susan McLean and Car- MICK" Craig Shuttleworth, another 01 Collins, were followed by a'Ballet Faust dancer who gets better year by soft shoe routine ‘Honey Bun", Then came a breath- taking- }year, delighted his audience which brought out a group of‘ly lovely scene, ‘Ballet Faust". with “Louise,” wearing yellow girl “Gobs”, Elizabeth Tucker. This was traditional ballet in ‘satin and black and white ac- Carol Russ, Susan Elford, Gail excellent style considering the ‘cessories. Rurak, Carol Hannivan, Mollyiyouth of the dancers. It was Gold satin costumes and Eu- Pitman, Susan Steed. Heather one of the many highlights of genie-szed hats, accented with Hughes, Valerie and Doreen the evening. with Gerald Grey Darlene Harcourt solo-mg be- fore S‘antva’s golden throne, wearing a white satin, brief- skirted tap costume, sprinkled with red hearts from her pill box hat to the big bows on her white tap shoes, made a pretty picture as she danced. Costumes Happy And Gay Mr. Moore chooses the hap- piest, gayest and most colorful combinations for his dancers, and tap dancers, Shelley Blow, Patricia Fagan, Lorna Francis, Susan Meyers, Sharon Post, Deborah S‘hipley, Bonnie Jean Wallace, Barbara Whilllans, Cindy Wilson, in “For It Was Mary," were a lovely group in shocking pink and lime green. They were followed by “Ding Dong” wimh Judy Gratbarchuk, Linda Dawson, Heather Mann, Winnifred Smyth, Karen Joan Webber, Linda Taylor, Wendy Hirano and Debbie Burton in a sprightly tap number; after which the Turner Twins danced, “Tico-T-ico” in a most profess- ional style." anne Corless, Sandra Bowen, Rosanne Newitt, Heather Wil- son and Michele Smith, dress- ed in bright blue and white striped costumes. And rhythm- ers, Dzintra Stepa'novs, Marlene Moss. Brandle Smith, Craig Goodman and Steve Wall in the next number, “I’ve Got Rhythm", surely had just that! Nice work with those twirling batons. “The Polka" is always popu- lar, and never more so than Saturday, when Master John Birnie danced with a bevy of charming girls who were his co-stars, Renata Norrins, Hea- ther Scott, Susan Pitman, Linda Wuin, Carol Craig, Maureen Sheehy, Kim Lerette, Susan Barclay, Miche}e__])ube1£._ “The Blue Danube" was a radiant ballet number with dancers Gail Masters, Candace Turner, Brandie Smith, Sylvia Scott and Susan Rhodes, dress- ed in pale blue satin and lace, sprinkled with silver â€" before Elizabeth Hamblyn came on stage for her faultless rendition of the tap number “Ida”. Smiling faces, grace and beauty, as well as good danc- ing, endeared each dancer to his or her audience, and when Frederick Long, Joanne Wilson, Inge Hack, Julia Miller, Lyn-n Covert, Paula Huston, Cathy Tucker, Robin Mofiitt and Ter- esa Gouzecky tapped out their number. “I Know That You Know", their audience tapped their toes too, as they smiled right bagk at the happy group. The West Toronto Group of Mothers, who did the Black Bottom Blues with professional style. could go into burlesque any time, according to the effect they had on the audience. They really got a big hand. Heather Hughes was a char- ming tap dancer, in orchid vel- vet and silver sequins for her dance which followed, and next came, “Yes Sir, That's My Baby." with Linda Wuin, Shir- ley Gallinger, Cathy Vincent, Lynn Breakspear, Susan Barc- lay, Michele Dubek, Janet Campbell, Jean Stewart, Gail Chapryk, Linda Cul- leton, Wendy Ogg and Master John Birnie, in canary yellow and deep mauve. Next, Carol Russ appeared as Tibar a lovely ballet dancer, in pink “Ain’ and silver, for her solo, “A Kiss gm 1 In The Dark"; after which the nylon winning tap group, Faith Bet- numl: tles, Lucille Dewsbury, Laurie in p1 Hawkins, Heather Large, Diane Lewis, Laurel Meadows, Susan Shine Mills, Sherri Trotter, and Mas- chuk ter Douglas Gee. danced “Car-lyncfi olina in the Morning” with such Scott nice timing they received ex- Gouh tensive applause. ghee] Mothers Dance Too Cam: one paddy-green feather, high- lighted the fast tap number “Should I”, by Janis Goodman, Barbara Marshall, K-altlhy Prid- ham, Diane Sanllon, Jillian White and Valerie Crow. For “Nola”, Claudette Jaiko. Mar- garet Kneisel, Sharon Middle- ton, Charlotte McWillia-m and Terry Smollet were dressed in lavender coloured taffeta and tulle, their short ballet skirts trimmed with bands of almost transparent silver ribbon. They danced their score with a smooth, easyA rhythm. ‘ Sylvia Scott, Gail Masters, Brandie Smith, Candace Turner, Susan Rhodes The "Mothers" came back for a second number, “Mimi”, after which Eleanor Williams danced “Satan Takes A Holiday” to tremendous applause. Denise Harcourt (who has that famous smile) and smiling Pat Whitfield, solo-ed together in “Sunny Side of the Street", with talented style; followed by fihikTumer Twins. “Ballin’ the a Ballet Faust Then came a breath- taking- “Colonel Bogey" brought out, The Colonel - Eddie Miller; The Majorebtes - Debbie Allen, Bet- ty-Ann Lamont, Karen Cook. Lydia Lismore, Valerie Crowe, Jennifer Morton, Candace Tur- ner, and their batons; while “Getting To Know You" saw Melanie Furse, Jean Stewart, Gail Irvine, Paula Huston, Ca- thy Tucker, Vicky Joy Roach, Dianne Gilbert, Sandra Krasov- sky, Inge Hack, Julia Miller, in old fashioned yellow and mauve pantaloon costumes with match- ing bonnets, for their soft shoe routine. ‘ Scott, Susan Pitman, Anne Gould, Renata Norrins, Maureen Sheehy. Kim Lerette, Carol Campbell, followed by “Liza”, Carol Russ’s solo number, were next on the program. Carol was well received by her audience, for her precise, yet effortless tap dancing. And there's a lad to keep an eye on for the Future, Gerald Grey, as star in the “Ballet Faust”, later on the program, showed a dedication to the dance and an interpretation of the same, that is remarkable in a young boy. We predict Gerald will some day make a name for himself on the stage, professionally, if he keeps on as he is going right now.“ . ‘ “Stompin' at the Savoy” with Linda Burton, Sandra Harris, Mary Lenton, Candace Turner, Pat Whitfield, Denise Harcourt, Mary Ellen Kendall, Betty-Ann Lamont, Eddie Miller and John Turner, was followed by Jean Tibando’s smoothly tapped solo, “Ain’t Misbehaving”. Then Su- san Elford, in glittering mauve nylon tulle danced the ballet number, “The Merry Widow" in pleasing style. Two tap numbers, “Rise and Shine" with Kathy Wasylyn- chuk, Carol Craig, Vicki Wasy- lynchuk, Janice Bell, Heather ‘Eccles, Eleanor Williams, .10- anne Wilson, Donna Forsythe, Lynn Covert. Yvonne Coghill, Linda Wuin, Cathy Tucker, Deb- ra Ann Nvahomey and Gerald Grey. Now came another highlight. “The Charleston” as interpreted by Denise and his dancing par- tner Maxine. Really Something. THE LIBERAL, Richmond Hill, Ontario, Thursday. June 7, 1962 "Blue Danube Waltz" Ballet routine (front row) Claudette Jaiko, Margaret Kneisel, (back row). Charlotte McWélliaixll,t§.haron Middleton and Terry mo e The evening was drawing to a close, but when Brenda Arm- strong, Linda Burton. Patricia Cooney, Valerie Crowe, Janis Goodman, Sandra Harris, Diane Hasselfeldt, Diane Kosowan, Mary Lenton, Linda Joy Lewis, Barbara Marsh-all, Kathy Prid- ham, Dzintra Stepanovs, Can- dace Turner, Jillian White, D1- anna Sanlon, Emer Johnson, Barbara Bickerstafl, Sonya Sut- Sandra Smith, Mr. Moore’s assistant dancing teacher at his Richmond Hill studio, was well received for her ballet number, “Waltz Mignonne”, looking more than ever like a princess, in her lovely blue ballet gown. At the close of her number her pupils presented her with a bou- quet of ilowers._ Mr. Moore also came in for his share of bouquet's (floral) during the performance, and most remarkable . . . two Tor- onto dancing teachers, Molly MacGregor and Dorene_ Hayes . . . surprised Dennis with great sprays of flowers as a tribute to his performance and his per formers. The children who at- tend his two schools presented him with a tape recorder, and their “thanks.” as its star and ballerinas Donna Forsythe, Susan Elford, Molly Pitman, Heather Hughes, Gail Rurak, Carol Hannivan, Valerie Eccles, Susan Steed. Elizabeth Tucker, Doreen Eccles and Carol Russ, in traditional ball- et costumes )of white satin and tulle with rhinestone headdress- es glittering on their carefully coiffured hair. 7 Again the pace changed and fast stepping Jane Fumerton. Betty Smith, Penny Parmemter, and Evelyn Turner, did a sul- try dance. “Walkin' With My Baby”. STEEL llNTELS | BEAMS To Custom Specifications PINDER BROS. LTD. 2 Otonobee BA. 1-3344 STEEL FABRICATIN G Kept in Stock Portable Crane Service \‘Nolall MONDAY, JUNE 18th, 1962 ‘for the supply of:â€" Three - 3 ton trucks, cab and chassis only One - BA ton pick-up with automatic transmission One - 3 ton cab and chassis with automatic transmis- sion The Commission has the follow- ing to turn in on this equip- ment: â€"â€" 1 Three - 3 ton 1956 - V8 1 Ford trucks without hoist \ or body The used vehicles may be in- spec’ted by arrangement. Specifications and Tender Forms may be obtained at the office of the Commission on the ‘Don Mills Road, 1% miles north of the Aurora Road. (Mailing Addresszâ€"P. O. Box 296, New- market, Ont.) Lowest or any ten- der not necessarily accepted. ‘A. J. Rattle. Chief Engineer, Toronto & York Road: Road, PO. Box No. 296. NEWMARKET - Ontario NORMAN W. LONG Chairman SEALED TENDERS, marked as to contents, will be received by the undersigned up to 11 AM. E.D.S.T. . . . and proved as did the pre- vious numbers admired Satur- ay night, the point of one of Mr. Moore’s favorite express- ions, “H children are interested in their work â€" I can produce dancers!" Tenders For Motor Vehicles Commission, Don Mills Road, 1% miles with of the Aurora The finale, ‘Starike Up The Band”, danced by Captain Ger~ ald Grey and Deborah Smith. Gail Rurak, Carol Hannivan, Jennifer Smith, Eleanor Will- iams. Heather Hughes. Susan Steed, Molly Pitman, Susan Elâ€" ford, Carol Russ, Elizabeth Tucker, Valerie and Doreen Ec- cles, and Donna Forsythe, brought the 1962 review of The Dennis Moore School of Dancing to a fitting conclusion cliffe, and "Blond-1e" Turner danced on in their number “Steam Heat", they appeared just as fresh and lively as those dancers had who started things swinging egrlier, LIBERAL CLASSIFIEDS GET RESULTS PHONE TU. 4-1105 0R. AV. 5-3316 TORONTO AND YORK ROADS COMMISSION